Birch, Alexandra. Hitler’s Goetterdaemmerung: Music and the Orchestration of War and Genocide in Europe. Toronto: University of Toronto Press, under contract.
Birch, Alexandra. “Score Review: Kompozitor’s Critical Editions of Alfred Schnittke’s works for the Violin.” Tempo, Fall 2022.
Birch, Alexandra. “They were drinking, singing, and shooting: Music and The Holocaust in the USSR,” in The Journal of Perpetrator Studies, Volume 4, Issue 1, https://jpr.winchesteruniversitypress.org/8/volume/4/issue/1/.
Birch, Alexandra. “Victor Ullmann Before Theresienstadt: Musical Commemoration.” In Microhistorical Perspectives of the Holocaust. Eds. Hannah Wilson and Christian Walke. Berlin: de Gruyter, 2022.
Birch, Alexandra. Vnye: Music for Solo Violin. Firebird Records, 0003, 2021, CD.
Birch, Alexandra. “From ‘Tsar Ducks’ to Kashchei the Deathless: Anti-Corruption Symbols in Russia Today,” NYU Jordan Center, All the Russias blog, https://jordanrussiacenter.org/news/from-tsar-ducks-to-heartless-emperors-symbols-of-anti-corruption-in-russia-today/#.Yebyi_7MLIX.
Birch, Alexandra and Neilson Chen. Musical Stolpersteine. Firebird Records 0002, 2020, CD.
Birch, Alexandra and Dani Shraibman. Soviet Memories. Firebird Records 0001, 2019, CD.
Birch, Alexandra. “Balancing Mathematics and Virtuosity: A Performer’s Guide to Sofia Gubaidulina’s Dancer on a Tightrope”. (DMA Diss: Arizona State University, 2017).
Birch, Alexandra. “Music’s Link to Memory” in Reflections: The Auschwitz Jewish Center Journal, 2016. 7-10.