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DTSTART;TZID=America/Los_Angeles:20180305T150000
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SUMMARY:Onontio’s Reward: When Louis XIV’s head hung from Native American necks
DESCRIPTION:French royal medals crossed into a radically different cultural context when awarded to the Amerindian people of Canada in the late seventeenth and early eighteenth centuries. So it may come as a surprise that the symbolic potential of these medals was only fully realized by the indigenous warriors that they were gifted to. These small sculptures\, designed in emulation of ancient Roman coins\, are quintessentially Western objects designed to function as instruments of communication across spatial\, cultural and temporal divides. Small in scale and easily transported; relatively inexpensive\, depending on the material from which they were made; produced in large quantities—they had the potential to convey messages far and wide. \nThe guest lecture examines the fate of the Louis XIV Royal Family medal awarded to Amerindian allies. To Algonquin and Iroquois speaking warriors the king was Onontio\, the great mountain\, a father to their people. The concept of family that this medal represents thus functions an allegory for the bond between the King of France and his subjects; a powerful ideological message for those living in French colonies far from the center of empire. The positive reception of these medals by the Indigenous supporters of the French colonists reveals the shifting talismanic and political power that these objects could carry across surprisingly diverse cultural contexts. Functioning like the ornaments worn by Indigenous people for centuries before the arrival of European settlers\, French royal medals were endowed with new symbolic power by the First Nations people of Canada. \nRobert Wellington is a senior lecturer at the Centre for Art history and Art Theory at the Australian National University. His research focuses on the role of material culture in history making and cross-cultural exchange in ancien régime France. Robert Wellington’s monograph Antiquarianism and the Visual Histories of Louis XIV: Artifacts For a Future Past\, explores the place of medals in the project of documenting the history of Louis XIV for posterity.
URL:https://history.ucsb.edu/events/onontios-reward-when-louis-xivs-head-hung-from-native-american-necks/
LOCATION:HSSB 3001E\, 3001E Humanities and Social Sciences Building\, UC Santa Barbara\, Santa Barbara\, CA\, 93106\, United States
CATEGORIES:Public Lecture,workshop/brown bag/practicum
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DTSTART;TZID=America/Los_Angeles:20180307T170000
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SUMMARY:The Museum of Methodology and the Criminalization of Culture\, Rio c. 1938 (Amy Buono\, UCSB/UERJ)
DESCRIPTION:Please join us for the next meeting of the Colloquium on Latin American and Caribbean History as we welcome Amy Buono\, Visiting Assistant Professor in the Department of History of Art and Architecture at UCSB and Researcher at the Universidade do Estado do Rio de Janeiro\, who will be presenting a paper entitled “The Museum of Methodology and the Criminizalization of Culture\, Rio c. 1938”. \nThe talk will be held at 5pm on Wednesday\, March 7th\, in the Engineering Science Building 1001\, and will be followed by a small reception. \nAbstract: The Civil Police Museum of Rio de Janeiro\, established within the Police Academy in 1912\, went by many names: it was also known as the “Museum of Crime” and\, tellingly\, the “Museum of Methodology.” This lecture examines the museum\, its collections\, and the role of objects and visual culture in building a civic culture that linked collecting and seeing with police training. By 1938\, the Civil Police Museum became Brazil’s earliest institutional collection of Afro-Brazilian heritage\, one eventually under the domain of IPHAN. This talk explores the contradictory ways a particular collection within a collection\, the inner “Museum of Black Magic\,” was understood and preserved in the period\, highlighting how police violence and museum preservation are intertwined. \nAbout the Speaker: Amy Buono is a Visiting Assistant Professor in the Department of History of Art and Architecture at the University of California\, Santa Barbara\, and affiliated as a Researcher at the Universidade do Estado do Rio de Janeiro. Her scholarship centers on materiality\, memory\, and museums\, with a special focus on Brazil and the Atlantic world. Amy’s is the author of the forthcoming book Tupinambá Feathercraft in the Brazilian Atlantic (University of Pennsylvania Press). Her current book project centers on race\, pedagogy\, and the visuality of crime in the Civil Police Museum of Rio de Janeiro.
URL:https://history.ucsb.edu/events/the-museum-of-methodology-and-the-criminalization-of-culture-rio-c-1938-amy-buono-ucsbuerj/
LOCATION:Engineering Science Building 1001\, University of California Santa Barbara\, Lagoon Rd\, Santa Barbara\, CA\, United States
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